#51
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#52
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#53
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Which has me imagining an apartement super with a Brooklyn accents saying, "You're still three hundred dollars short."
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#54
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Forrest Gump - Forrest's monologue by Jenny's grave. He has loved her unconditionally from day one and Tom Hanks absolutely nails that scene.
Big Fish - the scene where Will makes peace with his dad. Labyrinth - the scene with the worm. It's just funny and I get a kick out of it. "Come in and meet the Mrs.!" Forbidden Kingdom - Jason is bitching because he isn't learning Gung-fu. Jackie Chan whacks him and says, "That is strike. Tomorrow I teach you block." |
#55
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The whole beginning of Up where the dorky boy and tomboy girl meet and grow up and make a life together. Until of course she ages and dies. Then I weep for the rest of that day.
Also where Dory talks to the Whale in Nemo. |
#56
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I admit I have not read the whole thread yet, but this:
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#57
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From Bladerunner:
The whole scene where Decker flies into the big corporate headquarters skyscraper and meets Rachael and Tyrell. That futuristic executive office with a view of a smoggy sunset, an artificial owl, and the strange watery shimmering light is awesome. I like Rachael's 1940's padded shoulder suit, too, and the way her and the owl's eyes glow eerily. Just spectacular cinematography and atmosphere all around. |
#59
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Tim Robbins' first day on the job in The Hudsucker Proxy.
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#60
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The opening scene from the new Star Trek. Part the emotion and action, part the cinematography (I know half of it's CGI), and most of it is that they get the physics right!
That's one thing I've noticed lately about sci-fi. They're getting the physics finally right. First noticed it in the new Battlestar Galactica, but I'm picking up on it in a lot of other movies and shows now. I like that. Tripler We all know that nobody can hear you scream . . . in space. |
#61
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Cyrus's speech from The Warriors.
CAN YOU DIG IT?
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I taught John Travolta to dance. |
#62
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I adored Dory and that scene was really cute, if a little disturbing, (I suffer from underwater agoraphobia - yes, it really is that specific).
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Best. Film. Ever. Quote:
I would love to see The Mote In God's Eye and The Gripping Hand done right. But I think we're a ways off that yet. |
#63
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Alas, it is the only part of the movie that does a decent job with the physics. |
#64
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I find it hilarious that you're able to speak the words "new Star Trek" and "get the physics right" in the same breath.
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#65
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Tripler I mean, who doesn't love a good,accurately-depicted phaser fight? |
#66
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Which isn't to say it wasn't a fun film. I liked it a lot. I just have no illusions about how retarded a lot of the science (and plot) was. |
#67
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First saw this on a flight back home from vacation and it caught me by surprise. I can only imagine what the other people on the plane thought seeing a 45 old manly man sitting in his seat, watching a cartoon and bawling like a baby.
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#68
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From Apocalypse Now; this scene (or at least the quote) is pretty famous, but what really blows me away about the scene is that there are a bunch of explosions right near them as they have this exchange, but Duvall doesn't even flinch. The other guy, Lance (actor Sam Bottoms), is pretty shaken up by them, but Bobby's a ROCK. Awesome on SO many levels....
Kilgore: Smell that? You smell that? Lance: What? Kilgore: Napalm, son. Nothing else in the world smells like that. [kneels] Kilgore: I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like [sniffing, pondering] Kilgore: victory. Someday this war's gonna end... |
#69
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The "printer execution" scene from Office Space is always satisfying.
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#70
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I agree that the rest of the movie's physics is horrible beyond belief, but that matters not a whit to what once again, Tripler actually said: Quote:
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#71
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I made that harsher than I should have. My apologies, Shot From Guns.
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#72
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Tripler Yeah! Die toaster, die! |
#73
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![]() It wasn't intended as an attack--simply a wryly bemused observation. |
#74
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In the fictional Trek-a-verse, the Gravitational constant can be changed. So any discussion pro OR con of real-verse physics in the stories is just silly, imho. (I'm a Trekker [yeah, they even called us Trekkies til I singlehandedly changed the fan name]from Season 3 of the original network airing of Star Trek [before they even had to call it TOS], being too young young to stay up for it the first two seasons, but caught it all on UHF reruns faster than you could say "Tranya! Ha ha ha ha!")
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#75
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#76
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Lazlo, Trekkie |
#77
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#78
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My pajamas will never fit you.
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#80
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We need a damned like button.
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#81
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NOOOOOO, FFFFFFFFUCK YOUUUUUUUUUUUUUUU
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#82
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The opening scene of Butch Cassidy & the Sundance Kid, shot in sepia, was damn near perfect. I <3 it. Of course, that entire movie is a scene I could watch over and over (yes, even the stoopid bit with the bicycle and the song).
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#83
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ooh, I've been to Sepia! One of my favourite places ...
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#84
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#86
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#87
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#88
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#89
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Two scenes from Battle of Britain :
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#90
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One that just occurred to me recently: Superman rescuing Lois Lane from the helicopter crash in the first Superman, still the best superhero movie based on a comic book.*
One of the best first-meeting dialogue exchanges between two characters ever: "Easy, miss, I've got you." (disbelieving look) "You've got me?! Who's got you?!" Then Superman catches the falling helicopter in one hand, the crowd goes nuts and John Williams hits the perfect, "Of course he caught the helicopter, he's motherfucking SUPERMAN!" note... Damn, I love that scene. The whole "Superman does superheroic deeds" sequence that follows is great, but the whole helicopter crash and rescue scene is one of my favorites ever. I would have loved just one scene even half that great in Superman Returns. Alas, it was not to be. * Not, however, the best overall superhero movie ever, thanks to the existence of The Incredibles. |
#91
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#92
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I'm chiming in to second anything from No Country for Old Men and Rebo's scene from Jaws.
There is about a one or two second scene from Face/Off where Nicholas Cage is walking away from the plane in the very beginning, where it's done in slo-mo, and his coat tail flips up in the wind and you just know he's bad news. I've looped that footage over and over.... |
#93
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Schindler's List, when the war is over and Schindler and his wife are getting ready to flee. They give him the ring, he drops it...and I begin to sob uncontrollably.
The songs in Chicago, specifically Murderess Row and When You're Good to Mama. The scene in the final LOTR when Legolas kills the oliphant and all aboard it. "It still only counts as one!" |
#94
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Oh yes, that scene is one of the best.
"Offer me money." "Yes!" "Power too, promise me that." "All that I have and more." "Offer me anything I ask for." "Anything you want..." "I want my father back, you son of a bitch." |
#95
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#96
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Poltergeist
Tangina's speech. I get goosebumps every time she turns the conversation to the evil that is with Carol Anne. "It lies to her. It tells her things only a child can understand. It's been using her to restrain the others. To her, it simply is another child. To us, it is The Beast." The Lord of the Rings: The Fellowship of the Ring Boromir's death scene with Aragorn. "I would have followed you, my brother...my captain...my king." The Shawshank Redemption The scene where Andy locks the door and plays the music over the loudspeakers. Absolutely love the rising crane shot of all the inmates, frozen in place and staring up at the loudspeaker. Sling Blade The scene near the end between Karl and Frank at their special place in the woods. Karl gives him his treasured stack of books with the bookmark he made. "You Will Be Happy." Gets me every time. Driving Miss Daisy Hoke's visit with Miss Daisy in the nursing home, ending with him helping her eat her pumpkin pie. Another scene that just gets me every time. Glory Denzel Washington's character being whipped. He plays the scene beautifully, trying to be stoic against the physical pain of the lashes. With each whip, his eyes fill with tears until one finally streaks down his face. |
#97
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A good scene, but my favorite is a little later: "You were right warden, salvation lay within." And the warden flips open the Bible to find the hole Andy had cut out of the pages to hide his rock hammer -- beginning on the first page of Exodus.
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#98
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![]() The big dramatic court room finale in "My Cousin Vinny" is something I can't ever tear myself away from. Same goes for the big final confrontation between Tom Cruise and Jack Nicholson in "A Few Good Men." And I'm not even a huge court room drama fan.
__________________
Hell is other people. |
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Giraffiti |
badtz for sure now, Debbie Does Dallas, milfs in heat #23 scene 6, SPARTAAAA!! Oh... sorry., The Man hurring durr, The Man's a culo, The Man's cool, when he's refrigerated |
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